Category: Aktuell

Artificial Museum

Artificial Museum am Symposion Lindabrunn

Künstler*innen: Ferdinand Doblhammer, Hideo SNES, Jascha Ehrenreich, Litto, Madi Piller, Manuel Cyrill Bachinger, Victoria Coeln

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Virtual Sculpture – Webbased AR – Music Performances – Outdoor & Indoor Exhibition – Workshop – Panel – Keynote Speech – Mirror Mechanisms – Cyborg – Extended Cinema

Das Artificial Museum ein Museum für digitale Kunst im öffentlichen Raum. Die Ausstellungsplattform wurde von Daniela Weiss und Jascha Ehrenreich initiiert und entwickelt. Für das Symposion “Reterritorialized Spaces” luden sie Künstler*innen und Kollektive dazu ein, ortsspezifisch und prozessual Skulpturen, experimentelle Performances und musikalische Interventionen mit neuesten Technologien zu entwickeln. Was dabei entstand, ist an diesem Wochenende hautnah mit den Künstler*innen zu erleben. Sie sind bis heute noch am Gelände ortspezifisch zu sehen :

Arbeiten des Artificial Museum am Symposion Lindabrunn

„Bewegung schafft Raum. Wahrnehmung entsteht aus Bewegung. Das Unsichtbare erschließt sich erst in der Bewegung“.

Artificialmuseum.com

experimental setup for overcoming medium distances

Artist: noid
2021 – today

The “experimental setup for overcoming medium distances” is a reinterpretation of the whispering arc, placed in the open landscape with a radically reduced use of materials.
Parabolic antennas for satellite broadcasting reception, known as satellite dishes, characterized residential areas around the world for decades and were once the epitome of progress and communication.
As a Land Art object, the retro-futuristic appearance of “experimental setup…” refers to these technologies and the historical transformation processes associated with them.
Two decommissioned satellite dishes are aligned in such a way that two people can whisper to each other without any electronic amplification over a distance of around 100 meters while turning their backs to each other.
The pure geometry of the paraboloid enables human speech to be focused and projected over a distance that is clearly too great for normal speech – and yet it still creates the feeling that someone is whispering directly into your ear. An intimate moment is created between two people, which opens up unique communication spaces in its simultaneity of abstraction and closeness.

Bildhauer

Artist: Karin Frank
2019 – today

Two tall painted wooden steles, which focus on the physical work on the stone, were created at the symposium “50 Years Symposion Lindabrunn” 2019

 https://www.karinfrank.at/

HUI

2009 – today

Flying object HUI from 2009 is part of a series of helicopter experiments by David Moises and Chris Janka. HUI was planned as an airworthy helicopter with a particularly ecological design. However, after essential parts for take-off could no longer be supplied due to the bankruptcy of a specialist company, the artists had to bury their dream of flying. This dream has been part of the history of technology and art for centuries. Numerous artists have attempted to design an object capable of flight. The title of the work HUI is based on the “utility helicopter” Huey. However, the pronunciation “HUI” also emphasizes the playful component of flight experiments. Due to its rotating red nozzles, the first version of HUI created the illusion of a red ring and a piercing, loud noise. In the second version, the helicopter model was transformed into the water-spouting sculpture HUIcicle. Equipped with the nozzles of a high-pressure cleaner, HUIcicle transformed the surroundings in winter. The spraying water covered everything with a layer of ice.

Stonehenge 1986

Artist: Franz Xaver
2007 – today

Franz Xaver’s Stonehenge 1986 – Fragments of Media Art was erected on the symposium grounds in 2007. The original sculpture consisted of 15 tubular screens arranged in a steel construction to form the letters “IT”. Xaver’s work is also interesting because it forms a bridge between the sculptural work created as part of the Steinbildhaurei symposia and the multimedia art that has been offered space on the grounds of the Lindabrunn Symposium since 1999, many of which are temporary in nature. In 2018, seven of the fifteen screens of the media art sculpture have been vandalized.