The debate as to whether art was superior to nature or vice versa was a recurring one. In particular, the interpretation of nature as something raw or pure, sinful or sacred, imperfect or exemplary determined the way in which people encountered it through the means of art.
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Artenreicher Trockenrasen
HYPERBOLISCHE HÄKELFORMEN
nach Daina_Taimiņa
Participatory Project
A series of drawings allows us to take a look at the adaptation to a foreign body. It replaces awkward formations that hinder movement and pull the whole body along. Do not look away.
In 1973, new paths were sought in Lindabrunn. The symposium venue had become well-known and many people visited it not only during the symposia, but also on other occasions.
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The Lindabrunn Quarry Symposia 1999-2004
This catalog traces the development of the artists’ symposia of the 1960s into contemporary project and process art, using the Lindabrunn symposium as an example. The first section is devoted to Thomas Hirsch’s art-historical account of the years 1999 to 2002 and is of a descriptive nature. In the second section, the artists have their say; their statements and observations are intended to provide an insight into strategies and approaches in dealing with peripheral space.
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Catalog Tomatl for the X Bienal of Cuenca (Ecuador) by Francesco Mariotti in collaboration with umraum artcollective, 2009
A biotechnological project with fireflies by Francesco Mariotti in collaboration with umraum artcollective, 2010
Autonomous light installation with solar energy; sunflowers, fireflies, LED, PET bottles, nets.
50 years of the Symposion Lindabrunn Association
ISBN:978-3-902796-65-3
Publisher: Günther Friesinger
edition mono/monochrom, 2019
