An ancient tentacled god, a many-breasted space vixen, a many-faced devilish beast. Hidéo Snes is not one, but many. Not a single thought echoing through the void, but a chorus. A terrifying symphony of ideas. Hidéo Snes fundamentally questions the idea of artistic production processes and establishes a neo-modern continuum in which the fractured self is reflected in equally distorted selves. Hidéo SNES works with artificial intelligence and conducts artistic research into its racist, misogynist, and queerphobic aspects. SNES’ work has been presented at Mumok (Vienna, AT) and Kiasma (Helsinki, FI) and has been part of exhibitions on four continents.